carl orff opere

Their melodies, rhythms, and accompanying text form a unique union of words and music. While still a teenager he enlisted, but returned home in 1917 after a near-lethal case of shell shock. Afterwards, he held various positions at opera houses in Mannheim and Darmstadt, later returning to Munich to pursue his music studies. The music is elemental and combines movement, singing, playing, and improvisation. He published his first composition ‘Zarathustra’ in 1911and composed an opera ‘Gisel das Opfer.’ In 1912 Carl Orffjoined the Akademie der Tonkunst (Academy of Music) in Munich and graduated in 1914. Gassenhauer, Hexeneinmaleins, and Passion, which Orff composed with Gunild Keetman, were used as theme music for Terrence Malick's film Badlands (1973). If his friendship with Huber was ever discovered, he told her, he would be "ruined". He also began adapting musical works of earlier eras for contemporary theatrical presentation, including Claudio Monteverdi's opera L'Orfeo (1607). Originally Jewish by faith, they became Roman Catholic, when his parental grandfather, Carl von Orff, converted to Christianity. For example, he referred to his works Der Mond (The Moon, 1939) and Die Kluge (The Wise Woman, 1943) as Märchenopern ("fairytale operas"). Carl began to learn the piano, organ and 'cello aged five. In pedagogical circles he is probably best remembered for his Schulwerk ("School Work"). En esta época compuso la música de escena para Leonce und Lena de Büchner. As I have stated before, Orff was born on 10 July 1895 in Munich, Germany. Carl Orff began his formal training in 1905 at the Ludwigs Gymnasium. His family was Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests. Lista delle composizioni di Carl Orff (1895-1982), ordinate per genere. "Fortuna Imperatrix Mundi", commonly known as "O Fortuna", from Carmina Burana, is often used to denote primal forces, for example in the Oliver Stone film The Doors. Orff naskiĝis en Munĥeno je 10-a de julio 1895. 1959) and Liselotte Schmitz (m. 1960). His father's regimental band supposedly often played the compositions of the young Orff. Orff was there as the head of a department from 1925 until the end of his life, and he worked with musical beginners. It is the first part of a trilogy that also includes Catulli Carmina and Trionfo di Afrodite. There he developed his theories of music education, having constant contact with children. The medieval poems, written in Latin and an early form of German, are often racy, but without descending into smut. In 1911, at age 16, some of Orff's music was published. The story of Antigone has a haunting similarity to the history of Sophie Scholl, heroine of the White Rose resistance movement, and Orff may have been memorializing her in his opera. [7] Many of his youthful works were songs, often settings of German poetry. It is the first part of a trilogy that also includes Catulli Carmina and Trionfo di Afrodite. 14, an unfinished large work for baritone voice, three male choruses and orchestra, based on a passage from Friedrich Nietzsche's philosophical novel Thus Spake Zarathustra. [15], However, in Orff's denazification file, discovered by Viennese historian Oliver Rathkolb in 1999, no remark on the White Rose is recorded;[16] and in Composers of the Nazi Era: Eight Portraits (2000) Kater recanted his earlier accusations to some extent. For other uses, see, sfn error: no target: CITEREFDangel-Hofmann1999 (, Carl Orff Documentation trans. Orff's last work, De temporum fine comoedia (Play on the End of Times), had its premiere at the Salzburg Festival on 20 August 1973, and was performed by Herbert von Karajan and the WDR Symphony Orchestra Cologne and Chorus. [citation needed] In his spare time, he enjoyedcollecting insects. Carl Orff received honorary doctorates from the Universities of Tübingen (1959) and Munich (1972) and also the Great Order of Merit with Star and shoulder ribbon of the Federal Republic pf Germany (1972). With the success of Carmina Burana, Orff disowned all of his previous works except for Catulli Carmina and the Entrata (an orchestration of "The Bells" byWilliam Byrd (1539–1623)), which were rewritten until acceptable by Orff. Orff's letter was published in that collection the following year. In 1911/12, Orff wrote Zarathustra, Op. Orff's ideas were developed, together with Gunild Keetman, into a veryINNOVATIVE approach to music education for children, known as the "Orff Schulwerk". The Orff Schulwerk, or simply the Orff Approach, is a developmental approach used in music education.It combines music, movement, drama, and speech into lessons that are similar to child's world of play. In the mid-1920s, Orff began to formulate a concept he called elementare Musik, or elemental music, which was based on the unity of the arts symbolized by the ancient Greek Muses, and involved tone, dance, poetry, image, design, and theatrical gesture. Complete your Carl Orff … Developed by Carl Orff in the 1920s, Orff Schulwerk is a revolutionary approach to teaching that combines music, movement, and speech into lessons that mimic a child's play. Carl Orff (July 10, 1895(1895-07-10) - March 29, 1982(1982-03-29)) was a 20th-century German composer, best known for his cantata Carmina Burana (1937). They were designed as examples of pieces that show the use of ostinati, bordun, and appropriate texts for children. [citation needed]. Orff by happenstance called at Huber's house on the day after his arrest. Bust of Carl Orff in the Munich Hall of Fame (2009), According to Canadian historian Michael H. Kater (de), during Orff's denazification process in Bad Homburg, Orff claimed that he had helped establish the White Rose resistance movement in Germany. In 1911, at age 16, some of Orff's music was published. Life and Music Orff’s family were army officers by profession but they loved music. [19][20] Orff was married four times: to Alice Solscher (m. 1920, div. His paternal grandmother was Catholic of Jewish descent. Carl Orff (10-a de julio 1895 – 29-a de marto 1982) estis germana komponisto. His Carmina Burana was hugely popular in Nazi Germany after its premiere in Frankfurt in 1937. Orff studied at the Munich Academy of Music and with the German composer Heinrich Kaminski and later conducted in Munich, Mannheim, and Darmstadt. Carl Heinrich Maria Orff (10. července 1895, Mnichov − 29. března 1982, Mnichov) byl německý skladatel expresivní hudby a pedagog, po kterém je pojmenován instrumentář tzv. [18], However, in Orff's denazification file, discovered by Viennese historian Oliver Rathkolb in 1999, no remark on the White Rose is recorded;[19] and in Composers of the Nazi Era: Eight Portraits (2000) Kater recanted his earlier accusations to some extent. He had very little interest in academics. Essendosi occupato intensamente anche di pedagogia e didattica, ha influenzato profondamente, attraverso lo Orff-Schulwerk, l'educazione musicale. Carl Orff was born into an old Bavarian family of officers and scholars. The composer described it as the celebration of the triumph of the human spirit through sexual and holistic balance. – München, 1982. március 29.) [citation needed]. Margaret Murray, published by, "Personentreffer: Bayerische Akademie der Wissenschaften", "Re-staging the Welttheater: A Critical View of Carl Orff's Antigonae and Oedipus der Tyrann", 10.1093/acprof:osobl/9780199558551.003.0018, "Reverberations; Going Beyond 'Carmina Burana,' and Beyond Orff's Stigma", https://en.wikipedia.org/w/index.php?title=Carl_Orff&oldid=990916794, Grand Crosses with Star and Sash of the Order of Merit of the Federal Republic of Germany, Recipients of the Bavarian Order of Merit, Members of the Bavarian Maximilian Order for Science and Art, Recipients of the Pour le Mérite (civil class), People educated at Eberhard-Ludwigs-Gymnasium, Wikipedia articles incorporating the Cite Grove template, Wikipedia articles incorporating the Cite Grove template with a url parameter, Articles with German-language sources (de), Articles with unsourced statements from August 2019, Articles with unsourced statements from September 2019, Articles with unsourced statements from April 2015, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Bairisches Welttheater (Bavarian world theatre), This page was last edited on 27 November 2020, at 06:54. The passionately declaimed opera of Monteverdi's era was almost unknown in the 1920s, however, and Orff's production met with reactions ranging from incomprehension to ridicule. Both compositions feature the same "timeless" sound, called timeless because they do not employ any of the musical techniques of the period in which they were composed, with the intent that they be difficult to define as belonging to a particular era. Given Orff's previous lack of commercial success, the monetary factor of Carmina Burana's acclaim was significant to him. About his Antigonae (1949), Orff said specifically that it was not an opera but rather a Vertonung, a "musical setting", of the ancient tragedy. But while others followed the cool, balanced neoclassic works of Stravinsky, it was works such as Les noces (The Wedding), an earthy, quasi-folkloric depiction of Russian peasant wedding rites, that appealed to Orff. His grandfathers, both major generals, were active in a number of different academic fields, Carl von Orff (1828-1905) being involved in geodesy, mathematics and astronomy, while Karl Köstler (1837-1924) was an historian. [citation needed] He soon found that he was more interested in composing original music than in studying to be a performer. Opere: Antigona (1949) si Oedip der Tyrann (1959), Catulli Carmina (1943) si Trionfo di Afrodite (1951), Carmina burana. However, these various activities brought Orff very little money. The passionately declaimed opera of Monteverdi's era was almost unknown in the 1920s, however, and Orff's production met with reactions ranging from incomprehension to ridicule.[12]. He had a long friendship with German-Jewish musicologist, composer and refugee Erich Katz,[17] who fled Nazi Germany in 1939. In the mid-1920s, Orff began to formulate a concept he called elementare Musik, or elemental music, which was based on the unity of the arts symbolized by the ancient Greek Muses, and involved tone, dance, poetry, image, design, and theatrical gesture. The orchestration relies heavily on the percussion section and is otherwise fairly simple. Huber's distraught wife begged Orff to use his influence to help her husband, but Orff declined her request. It was conceived during the 1920s and 1930s while he served as music director of the Günther-Schule; a school of music, dance, and gymnastics that he co-founded in Munich. Hans Zimmer later reworked this music for his True Romance (1993) score. But while others followed the cool, balanced neoclassic works of Stravinsky, it was works like his Les noces (The Wedding), a pounding, quasi-folkloric evocation of prehistoric wedding rites, that appealed to Orff. 1953),Luise Rinser (m. 1954, div. Carl Orff was selected to the church choir, and he performed solos also. Carl Orff (10 July 1895 – 29 March 1982) was a German composer, most famous for his cantata Carmina Burana (1937). Teachers using the volumes are encouraged to simplify the pieces, to write original texts for the pieces and to modify the instrumentation to adapt to the teacher's classroom situation. Live performances of them have been few, even in Germany. Most of Orff's later works – Antigonae (1949), Oedipus der Tyrann (Oedipus the Tyrant, 1958), Prometheus (1968), and De temporum fine comoedia (Play on the End of Times, 1971) – were based on texts or topics from antiquity. His paternal grandfather was a Jew who converted to Catholicism. However, these various activities brought him very little money. His musical influences were as diverse as … Carl Orff, (born July 10, 1895, Munich, Germany—died March 29, 1982, Munich), German composer known particularly for his operas and dramatic works and for his innovations in music education. But the composition, with its unfamiliar rhythms, was also denounced with racist taunts. Orffových nástrojů pro výuku hudební výchovy.Největším Orffovým dílem je Carmina Burana, která je zároveň nejznámější skladbou tohoto názvu; slávu si získala zejména první část. Carl Orff was born in Munich on 10 July 1895,[1] the son of Paula (Köstler) and Heinrich Orff. He was also successful and influential in the field of music education. Ezt a hírnevet nemcsak operák és más vokális alkotások révén szerezte, hanem pedagógiai munkásságával is. He then served in the German Army during World War I, when he was severely injured and nearly killed when a trench caved in. In 1924 Dorothee Günther [de] and Orff founded the Günther School for gymnastics, music, and dance in Munich. Originally a set of pieces composed and published for the Güntherschule (which had students ranging from 12 to 22),[27] this title was also used for his books based on radio broadcasts in Bavaria in 1949. Orff was an observant and active Roman Catholic. Influenced by the FrenchImpressionist composer Claude Debussy, he began to use colorful, unusual combinations of instruments in his orchestration. Huber's distraught wife, Clara, begged Orff to use his influence to help her husband, but he declined her request. Orff was a friend of Kurt Huber, one of the founders of the resistance movement Weiße Rose (the White Rose), who was condemned to death by the Volksgerichtshof and executed by the Nazis in 1943. Later in the same month he met with Clara Huber, who asked him to contribute to a memorial volume for her husband. On 19 January 1946 Orff wrote a letter to the deceased Huber. [citation needed] Later on, however, many of these earlier works were released (some even with Orff's approval). His only child Godela (1921–2013) was from his first marriage.

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